Creationism - The Theory of Evolution is not Logical Essay

Creationism - The Theory of Evolution is not Logical Genesis 1:1â€Å"In the beginning God created the heavens and the earth.† This quote, taken from the Hebrew Bible describes the belief that religious Jews and Christians follow. These two religions think that man, the earth, and the rest of the universe were originally created instead of the theory of evolution. This view on the origin of the earth is unique, because it was the first religion to practice monotheism (belief in one God), and that God alone created the universe. Contrary to African and Hindu theories, Jews and Christians believe that the world was created by one higher power. As explained in the Bible, God worked for six days. During these six days God created the entire†¦show more content†¦Ã¢â‚¬Å"And God called the light day, and the darkness he called night†. The second day God constructed the Earth’s atmosphere, seperating the water into two parts: a) oceanic and subterranean water b) atmospheric water Day three God worked on making the difference between dry land and oceans. He then gave Earth vegetation. The Sun, Moon, and Stars were shaped on the fourth day. With the Moon’s creation, months, seasons, and years were produced. Water creatures and birds soon followed on the fifth day. Finally, on the sixth day God produced the rest of the animal kingdom and human beings. On the seventh day he rested. He ceases working, and the Bible’s second chapter establishes the tradition of the Sabbath. â€Å"And God blessed the seventh day and declared it holy, because on it God ceased from all the work of creation that He had done†(Genesis 2:3). Through this quote, God establishes the importance of the Sabbath. In the Bible, God never mentions the billions of years in which evolution takes place. The evolution theory is not an idea that stemmed from Judao/Christian beliefs. Evolutionists feel that the â€Å"Big Bang explosion† created the universe. The Big Bang theory states that the world was formed by a chance explosion in the universe. The explosion formed the planets, and for billions of years the universe evolved. Plants, animals, and human beings came into existence by chance. The complexity of the wayShow MoreRelatedWhy Creationism Should Be Taught919 Words   |  4 Pagesentitled â€Å"Why creationism should be taught in schools.† As can be ascertained from the title, the author’s position is that the theory of creation should be taught in schools alongside evolutionary studies. She writes the essay with a sure and almost condescending tone, making certain claims out of context in addition to using faulty logic in what I personally see as an attempt to confuse the reader about the view opposite her own. She begins her essay by discussing how teaching creationism has beenRead More Creationism in Public Schools Essay1429 Words   |  6 PagesCreationism in Public Schools Teaching Creationism in Schools The question as to whether or not creationism should be taught in public schools is a very emotional and complex question. It can be looked at from several different angles, its validity being one of them. Despite the lack of evidence to support the fundamentalist idea of creationism, that in itself is not enough to warrant its exclusion from the curriculum of public schools in the United States. The question is far moreRead MoreDefending Evolution And Its Importance1286 Words   |  6 PagesAndrew Shin Mr. Coltman Anthro 1 April 23, 2015 Defending Evolution and its Importance The definition of creationism is the belief that the universe and living organisms originated from specific acts of a divine creation, as a biblical account, rather than natural processes such as evolution. 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There have been countless scientists, theologians, journalists and Christians that have studied both sides of the spectrum, that argue how the world we live in was created. Many empty statements, with little to no facts, just assertions about this particular question have been stated in many debates all over the world. So on one side we have Creationism belief that essentiallyRead More Evolution vs. Creationism Essay917 Words   |  4 Pages Evolution vs. Creationism The Evolution vs. Creationism controversy goes all the way back to the Publishing of Origin of Species in 1859 by Darwin laying the foundation for the evolution of life to be understood. Scientists are continuously finding more evidence to support Darwin’s conclusion; that organisms descended from a common ancestor modified by the mechanism of natural selection resulting in the evolution of species adapting to their environment. 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Water Pollution The Slow Demise Of A Community - 1552 Words

Water Pollution; the Slow Demise of a Community Water is essential to all life. Plants need water, people need water, other animals need water; the point being that life depends on water. For thousands of years we can see that humans all have settled near bodies of water. This allowed them to have water for drinking, coking, and cleaning as well as a very efficient mode of transportation. We must be very careful to protect our waters because they are necessary for life. In this essay I will discuss the problem with Phillips, Wisconsin waters and three ways we can stop and prevent pollution. Step 1. Identify the Problem As you know Phillips is blessed with many lakes. Our waterways are very important in my town. Some of the negative effects water pollution is having in my area are sterilizing lakes and streams which are commonly used for fishing by locals and tourists who bring in a lot of money for the town. The reasons for water pollution are generally cheap disposal of waste and easy disposal waste. It is common for sewage to be dumped in local lakes. This is done because it’s easy and cheap to just dump the sewage and forget about the effects. There are two large contributors to the pollution of our lakes. The first of which is the local factories. 33.4 billion Metric tons of carbon dioxide are created by factories worldwide each year. Where do you think this carbon ends up? 50% of the carbon stays in the atmosphere poisoning our lungs, 26% is absorbed into the land,Show MoreRelatedOceans in Crisis Essay1842 Words   |  8 Pagespopular mind-set is that the oceans are a bottomless supply of fish, natural resources, and an infinite waste dump. There are myriad reasons why the oceans should be saved and the most obvious one is marine life. 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However, since the late 1950s, human beings have decimated the total of mangrove forests by a third (Fidenci, 2007). The World Atlas of Mangroves states decimation of mangroves is occurring â€Å"four times faster† than on land forestationRead MoreThe As A Vegetarian Based Or Vegan Diet ( Watters )2295 Words   |  10 Pagesmeatless diet (Avey). Vegetarianism can decrease the risk of cancer along with other health concerns, can solve problems the world presently faces,—such a s world hunger and animal cruelty— and can have positive effects on the environment—such as pollution reduction and overgrazing reduction. People need to adopt a vegetarian lifestyle because it will improve public health, the environment, and help solve social issues. In her article â€Å"Now the Best of Times for a Change,† journalist Alyn Ware explainsRead MoreThe Paradigm Change And Scientific Revolution2944 Words   |  12 Pagesyou answer. 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Trifles Essay Example For Students

Trifles Essay Trifles Essay by: Tammy Wallick Mention the word feminist and most people think of the modern womens movement. Long before the bra burning of the 60s, however, writers were writing about the lives and concerns of women living in a male dominated society. Susan Glaspells play, Trifles, was written in 1916, long before the modern womens movement began. Her story reveals, through Glaspells use of formal literary proprieties, the role that women are expected to play in society, and the harm that it brings not only the women, but the men as well. Character names are important in Trifles. Two characters who are never seen, John and Minnie Wright, provide the inciting incident for the play. The name Wright plays off the social stereotype of women seeking Mr. Right, so they also represent the roles of men and women in the larger society. Minnies name has a double significance, Minnie being mini or minimized, which was descriptive of her relationship with John and in general of womens relationship with men. The taking of the husbands name is also important in the story. Mrs. Hale and Mrs. Peters are not given first names. The role that society has cast them in is one that is defined by their husbands. Mrs. Peters, who is married to the sheriff, is viewed in those terms, not as an individual. The county attorney even says for that matter a sheriffs wife is married to the law (Glaspell . .). Mrs. Peters herself tries to fulfill that role, saying Mrs. Hale, the law is the law (Glaspell .. ). She tries to reinforce that identity until she is faced with the brutality of what John Wright did to Minnie. She says I know what stillness is. The law has got to punish crime, Mrs. Hale (Glaspell .. ). The difference is that she is talking about the crime committed against Minnie, not the murder. The best example of the importance of names, especially married names, is the image of Minnie Foster. I hear she used to wear pretty clothes and be lively when she was Minnie Foster . . . Mrs. Hale says (Glaspell..). She talks about Minnie again on page .. : I wish youd seen Minnie Foster when she wore a white dress with blue ribbons and stood up there in the choir and sang (Glaspell..). The image of Minnie Foster is used to show, by contrast, what John Wright had done to Minnie. Howshedidchange says Mrs. Hale (Glaspell . .). John Wright abuses Minnie by denying her her personality and individuality, and eventually Minnie kills John to escape that abuse. By extension of the analogy between the Wrights and men and women in general, the idea is that it is only a matter of time before women who are forced to enslave themselves to a male dominated society get fed up and seek revenge on their oppressors. Understanding Trifles takes thought to identify and understand the plays two major metaphors. The first of these is the bird/bird-cage metaphor. Mrs. Hale describes Minnie (before her marriage to John) as kind of like a bird herself real sweet and pretty, but kind of timid and fluttery (Glaspell ..). Mrs. Hale and Mrs. Peters find Minnies bird cage in the cupboard, but they do not realize the importance of it until they find the dead bird with its neck twisted to one side. The comparison here is between Minnie and the bird. The bird is caged just as Minnie is trapped in the abusive relationship with John. John Wright figuratively strangles the life out of Minnie like he literally strangles the bird. When John kills the bird, he kills the last bit of Minnie, but he makes a mistake in doing so. The broken bird cage represents Minnies freedom from the restrictive role of Mrs. The End Of Eden - Desertification In Africa Essay Wright. Once she is free she takes her revenge for all of the years of abuse and oppression. She strangles the life out of John like he strangled her spirit and her bird. The bird/bird-cage metaphor is also a representative of the role women are forced into in society, the bird being women and the cage being the male dominated society. The other major metaphor is the quilt. The quilt represents Minnies life. .

How does Shakespeare create excitement and tension in Act 3 Scene 1 Essay Example For Students

How does Shakespeare create excitement and tension in Act 3 Scene 1? Essay Act 3 Scene 1 of Shakespeares Romeo and Juliet is an important turning point in the play. This scene acts as a catalyst for all of the events that have already happened so far. It sparks off many more events, all of which build up to tragedy. After this scene nothing more is happy, this is predicted earlier on in the play. From early on doom is prophesised by more than one character. These violent delights have violent ends, As friar Lawrence says in Act 2 Scene 6, even though he has no idea that anything will lead to death. He is very uneasy about the whole marriage. There is so much tension that has built up over the past scenes, as the Prince has appointed death as the punishment for the two familys next public brawl. As the scene opens I want Mercutio to stride in confidently and joking about with the other men, I only want there to be three or four other men with Mercutio and Benvolio. I also want for Mercutio to push the other men about a little, almost as if they are playing tag. This is because it fits Mercutios character, which we have seen much of in the past scenes, also as Mercutio has no worries to do with the Capulets because he is not a Mountague. However, Benvolio should lag behind and appear unwilling to be there, he should look all around him and then hurry up to Mercutio. When Benvolio says his first lines I want him to half mutter and half plead with Mercutio as he is worried about an incident with the Capels. if we meet, we shall not scape a brawl, For now, these hot days, is the mad blood stirring. In these first few lines we notice that the atmosphere is in complete contrast to the last scene of tranquility, happiness and peacefulness. I want Mercutios first lines to be said completely seriously and he must look serious, like he means every word that he is saying. When he is finished though I want him to smile and clap Benvolio on the shoulder to show everyone that he is only joking about and teasing. During all of Mercutios first taunts I think that Benvolio should be following the from market stall to market stall, whilst looking all around him furtively. The other men with Mercutio and Benvolio should follow Mercutio and laugh loudly at his jests. When he says Am I like such a fellow? I think that Benvolio should be distracted and trying to lead the others away as he knows what will ensue if they meet with the Capulets. As Mercutio goes on to tease Benvolio about being what he is not and what he does not do, I think he should walk around as if he owns the place, strutting. Through this Mercutio should face the audience for most of it and grin at them, this is so that the crowd gets drawn in. To bring back any of them who got bored or lost in the wedding scene before, it also sets the audience up for the fight that will happen. I want for Tybalt to enter first with about four men behind him, no more than five. They should stand in a row slightly behind him. Tybalt is looking very confident and is at the opposite end of the stage to Mercutio and Benvolio. Tybalt should look as if he is searching for someone and his expression should be solemn. Meanwhile at the other end of the stage Mercutio has sat down outside a pub or place with tables and chairs. Benvolio should look as if he is beginning to stop worrying and is starting to joke about with Mercutio and the others. Then Benvolio is just about to sit down when out of the corner of his eye he spots Tybalt. His whole head immediately swivels round in the direction of Tybalt when he says By my head, here comes the Capulets. By this time Tybalt too has spotted his rivals and is moving closer to them. Mercutio, as ever the comedian who hasnt a care in the world, raises his heels one by one onto the table when he says his line By my heel, I care not. I got this idea from Baz Luhrmanns modern film version of Romeo and Juliet. I want Tybalt to have his hand on the hilt of his sword as his swordsmanship is like his vice. As he walks closer to Mercutio I want him to turn his head sideways and tell his men to Follow me close, for I will speak to them.- The hyphen indicates a pause; this is as Tybalt goes to speak to Mercutio and Benvolio. He comes to a stand still about two metres away from the seated Mountagues and Mercutio. When Mercutio talks to Tybalt I want him to talk with disdain towards Tybalt to accentuate that Mercutio stops talking in blank verse and uses prose. The audience will notice the difference as the more important characters use blank verse when talking to one another. However, the lower characters use prose, which seems cruder and less eloquent. Shakespeare often used prose for vulgarity and comedy in the mouths of the lower characters. As Mercutio is not using blank verse it shows his disrespect for Tybalt. When Mercutio and Tybalt are speaking Mercutio is teasing Tybalt by using his words carefully. Tybalt doesnt have this skill with his words and allows Mercutio to take his words and twist them to give them a new or different meaning. Tybalt doesnt see what is so funny about what he has said or he doesnt see the other meaning, such as Mercutio, thou consortst with Romeo- Mercutio immediately takes the other meaning of the word consort, to combine with musically. He thinks that Tybalt is calling him and Romeo minstrels. When Mercutio is saying these lines What, dost thou make us minstrels? An thou make minstrels of us Heres my fiddlestick; heres that shall make you dance I want Mercutio to look offended and angry and to sound angry at Tybalt, but also to have a slight teasing undertone to his voice. When he says Heres my fiddlestick I want Mercutio to stand up, pull his sword out and begin to dance comically. While he is dancing I want him to be pointing his sword at Tybalts feet. Benvolio as we have seen before in the play acts as the peace maker and tries to stop Tybalt and Mercutio from starting a fight. We talk here in the public haunt of men. Either withdraw unto someplace, Or reason coldly of your grievances, I want Benvolio, who has been standing behind Mercutio to move in front of him and between him and Tybalt. I want him to hold his hands up to both Tybalt and Mercutio to try and placate them. He is deadly serious as he knows that if they fight things will go wrong, he says so in his lines as he knows what Prince Escalus will do if they fight. Romeo should enter from the side of the stage where Tybalt entered; I want him to seem to be wandering aimlessly as if lost in thoughts of Juliet and their marriage. He doesnt spot Mercutio until slightly later. I want for Tybalt to be the first one to see Romeo and as Tybalt sees Romeo I want him to turn sideways so that he is facing Romeo. After Tybalt says his lines I want for Mercutio to point his sword as Tybalts chest as he is insulted that Tybalt called Romeo his man which has one meaning of a servant. He should almost hiss the words when he says his lines to Tybalt. Romeo still has not spotted Mercutio and Benvolio even though he is only a few metres away from them; this is when I want Tybalt to say his next lines. I want him to shout them as the market place will be busy and Romeo is a little bit away and I want him to emphasise thou art a villain. Tybalt should then spit on the floor to show his dislike for Romeo. Waiting For Godot EssayI want him to sound angry as he is accusing Juliet for making him weak and for love making him less manly. When Benvolio returns I want him to run back to Romeos side and say in a voice without any emotion that Mercutio has died. I want him to sound emotionless as the death of Mercutio has hit him hard and its not something that any expected would happen. This days black fate on moe days doth depend: This but begins the woe others must end. Romeo too should sound emotionless when he says this; I think itll help make the audience feel for Mercutios death, which is important I think in making Mercutios death effective in this play. I want Tybalt to come in with his sword hanging limply from his hand and I want him to look dazed as his enters, but when he spots Romeo again I want him to look defensive and move towards Romeo. As Benvolio sees Tybalt I want him to lay a hand on Romeos arm, this is as Benvolio doesnt want any more fighting to be going on. However, Romeo moves towards Tybalt and says his first three lines quite quietly, but then I want him to grow gradually louder during the rest of his lines until he gets to Either though or I, or both, must go with him. By the time he gets here I want him to scream the words at Tybalt. Tybalt should look slightly taken aback but then he gathers himself quickly and I want him to lift his sword up as he is saying his lines. Romeo too draws just after Tybalt, he says his line This shall determine that. I want them both to lunge for each other and the entire fight will last no longer than two minutes, the fight should consist of them both lunging at each other in a mad fury, then at the very end of the fight I want Tybalt to stumble just as Romeo lunges at him. Tybalts arms would be flailing and Romeos sword drives into Tybalts heart. Romeo should pull back and Tybalt bends over and falls to the ground. At this scene in front of him I want Romeo to fall to his knees, for him to drop his sword and look at the audience with a shocked look on his face. Benvolio moves over to Romeo and tries to lift him up and get him to move as he says his lines. Romeo, away be gone! The citizens are up, and Tybalt slain Stand not amazed. The Prince will doom thee death, Romeo should all the while be staring into the crowd, and then he says loudly that he is Fortunes fool. The theme of fate not being able to be controlled and is in fact controlling them comes in again. I want for Benvolio to pull Romeo up harshly so that he staggers a little and for Benvolio to push Romeo towards the side of the stage. After Benvolio has said his line I want Romeo to rush off stage. Not long after Romeo has left the stage the citizens should enter, I think two or three would be apt enough. They should look as if theyre talking to each other as they enter. They see Benvolio and the one that entered first should ask him Which way ran he that killed Mercutio? Tybalt, that murderer, which way ran he? Benvolio should look up at them after staring in the direction that Romeo went, he should then point at the dead body of Tybalt as he says There lies that Tybalt. As Benvolio says that I think he should drop to his knees on the floor as the citizen tells him to get up in his next line. The Prince should enter first, then Lord and Lady Capulet, when lady Capulet sees Tybalt lying dead on the ground I think she should utter a small shriek and then cover her mouth with her hand, Lord Capulet should hold onto her after that outburst. Following them will be Lord and Lady Mountague and then both houses servants, who I want to be trying to get as far away from as possible. I want for the Capulets to move to the left of the stage, whilst the Mountagues move to the right and the Prince is facing forward towards the audience. Everything should go quiet in respect for the Prince and the Princes voice should sound regal and loud in the quietness of everything when he asks Where are the vile beginners of this fray? Benvolio meanwhile is still on his knees, he looks up at the Prince when the prince asks this and answers in a quiet, subdued voice. I want Lady Capulet to have been struggling in her husbands arms whilst Benvolio is saying his part, then she breaks free and moves closer to the Prince. I want her to sound rather hysterical. Tybalt, my cousin O Prince! O husband! For blood of ours shed blood of Mountague When she pleads to the Prince I want her to face the Prince, then when she cries O husband! I want her to turn to her husband, then for the last bit I want her to look at the Mountagues with complete and utter distaste. I think the Prince should let her say her piece, then merely look at her. I then want him to turn once again to Benvolio as he asks him what happened. Benvolio should answer in an emotionless tone once again to show that he is not siding with Romeo. After her first outburst, Lady Capulet was restrained by her husband once more, after Benvolio tells an accurate account of the fight I want for her to break free again and move a few steps closer to Benvolio. I want her to point her finger at him as she blames him for being biased. He is a kinsman to the Mountague: Affection makes him false; he speaks not true. Romeo slew Tybalt; Romeo must not live. Her voice should sound unnaturally high as she hisses it out at Benvolio. However, as the audience know that she is not right it does not matter too much what she says, but the Prince can tell from her disturbed manner that she is not truthful. When he says his next lines I want the Prince to stare at Lady Capulet as if to silence her. After the Prince asks what should be done, whos blood should be given in order to set right matters I want for Lord Mountague to step forward when he says his lines, I want him to deliver them like you would to a good friend who need a little bit of convincing. Not Romeo, Prince; he was Mercutios friend; His fault concludes but what the law should end The life of Tybalt. When he says the life of Tybalt I think Lord Mountague should point at Tybalts body. As the Prince gives out Romeos punishment I think that he should speak slowly, calmly and loudly, I want him to look from one family to another throughout the speech. I want for Lady Mountague to be weeping when she hears what is in store for Romeo, banishment and I want her to fall to the ground and to touch the Princes feet. When she does this I want the Prince to move his feet away and look at her with disdain, then say this part of his speech I will be deaf to pleading and excuses; Nor will tears nor prayers shall purchase out abuses. Once he has finished his speech I want the Prince, followed by the citizens to leave the stage in the direction from which he came, I want the Capulets to follow him, then Lord Mountague and Benvolio should pick up the still weeping Lady Mountague and lead her out followed by their servants. Once they have all left the stage I want the lights to dim slowly until its totally dark as this is where the interval will be. This way no one will see Tybalts body being moved and for what has happened so far in the play to be taken in by the audience.